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Posted on 16. Apr, 2007 by Philip in Apple, Digital imaging, Software
Having read about the details regarding Apple Final Cut Studio 2 and looking at some of the video online I have to say it was a surprise that this suite has moved so quickly to embrace new controls and new formats.
The impressive videos including the Cohen brothers talk about “Color” shows the new color matching tools that looks to me to combine well with FCP and Motion to give total freedom in a color sense to any filmmaker.
Most surprising was the format for 4K, REDCODE by new camera manufacturer Red. Described in a piece online, Red provides a digital format for film makers that is definitely not video, much higher res than HD and much more flexible than high end film. The future is in this format and has been adopted as the standard for the future. Even though I have yet to see a “Red” camera working, the tools to edit are now in Final Cut Pro.
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